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The Paintings of Finoglio

historical research, critical surveys and studies conducted on the basis of the restoration ef offered are marked by the Superintendent of Puglia have made possible a detailed knowledge of the pictorial work of Finoglio and its place alongside the major painters of the seventeenth-century Naples . His artistic training was characterized by the arrival and the two of Caravaggio's stay in Naples between 1606 and 1610. His artistic life is divided into three major periods lived in different places where learn new techniques and receive continuous inspiration. During his stay in Conversano at the court of Giangirolamo II Acquaviva d' ( said Guercio of Puglia ) , the painter in the church of SS. Cosma e Damiano, depicts five of the six altars that enrich the aisles of the church. The works recorded by Piero
Buonsante commented by Claudio del Doctor are: The painting of the Miracle of San Domenico, the painting of the Virgin and Santa Rosalia, the painting of the baptism of Valerian, Canvas with the martyrdom of San Gennaro and Finally, the canvas of the miracle of St. Anthony.
serv. edited by Piero Buonsante

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History of the Monastery and Video

Video Church
Shooting and installation are the responsibility of the Giampiero Buonsante (webtvconversano)
The comment was made by the Doctor Claudio

information on Doctors of the Church of SS Conversano first listed are from the publication of Dr. Francis Lofano "The stucco of the Church of St Doctors in Conversano"
Schena Editore, 2009

It should be noted at the outset that the history of the house Acquaviva of Aragon, and in particular of the Monastery of St Doctors Conversano, is marked by irreparable losses documentary: the damage from the archive Conversano Acquaviva D'Aragona Bourbons during the riots of 1799, the devastating fire in the cathedral of the city and its stock surrender in 1911, and finally last but not least, the unfortunate fire a substantial part of the precious documents "an entire wardrobe! kept in the Monastery, which occurred three decades ago, are the stages of a progressive and permanent loss of many aspects of many dynastic memories and towns, not just loss that has affected and hindered the study of monuments. makes this loss, these contributions are therefore very valuable documentary: real fragments survived a huge accident, which can not easily open up other surprises. The building was founded by Catherine Acquaviva and turned to the interest of Giangirolamo II Acquaviva, Count of the city, and his wife, Isabella Filomarino, already in the twenties of the seventeenth century in a Monastra Cappuccinelle dedicated to Count particular devotion to the Saints Medici. They are authentic, of course the arms of the reservoir within the church as well as numerous documentary evidence found up to now and also the historiographical tradition; Except that in recent years have emerged some new features that can significantly complicate the framework of assumptions sedimented .

This news revolves around the role, played only recently emerged in the erection of the building by the famous Archbishop of Naples at the time of Masaniello Filomarino Ascanio and his familiares he held the role that he obviously had not only be that of a mere historical and cultural reference, but real generous actor, that as a patron - taking part in the construction and decoration of the church, even through the presence of nuns and Mother Superior in close relationship with him, the first new development occurring there is the altarpiece depicts Sant'Urbano baptizing Cecilia and Valerian, the features Isabella dei Conti and the painting bears Giangirolamo also evidently as already suggested, an allusion to Urban the Eighth, Barberini Pope, under whose auspices and protection then would place the accounts of the city. in particular the same Giangirolamo agrees with the Pope pro-French and anti-English political horizons that lead to even a few years of incarceration in prisons in Madrid. The blade is deployed with all its evidence also portraiture as an implicit political manifesto, which contains a clear manifestation of the broad political participation of the Pope.

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SS Cosma e Damiano

The ancient documents, work in which the meager historical elements are interwoven rather overwhelmed by the literary ones, where the legendary and the miraculous builders have clear intent and exhortation, give us especially news of their martyrdom. Raised a Christian with the other three brothers, Antimo, Leander and Euprepio Teodota mother in the town of the Aegean, the twins Cosmas and Damian practicing the medical art full gratuity, and are therefore called Anargiri. At the time of Diocletian and Maximian 284-305 286-310 they were arrested and brought before the Proconsul Lysias for their Christian faith. After fruitless attempts to make them recant, runs the torture sequence, which always come out unscathed by divine intervention: they are tortured, chained and then immersed in water, thrown in the fire, with the prop still tortured, stoned, plagued with arrows, and in either case stones and arrows ritrorcono cortro the executioners, and finally they are beheaded on September 27: On their tomb was built a basilica named after them. Commonly referred to the city of Cyrus the place of their martyrdom and the date 297 chronic. Their cult was widespread in Constantinople in the first mid-fifth century, where two churches were erected in their honor and another two were built by the Emperor Justinian 518-527, also in Rome were dedicated to their churches by the Pope Symmachus 498-514 and Felix IV 526530:

(in the photo is the work of Alessandro Turchi, XVII sec.) Source: Collection Crescamus 8, (festivals and processions in the 700 in Conversano. Hagiography Illustrated) by Don Angelo Fanelli , available from bookshops.
the picture was painted by: Piero Buonsante